Gilda Santo Lukas

Gilda Santo Lukas merupakan nama paling umum untuk gilda kota bagi pelukis dan seniman lain di Eropa modern awal, terutama di Negara-negara Dataran Rendah. Mereka dinamai untuk menghormati Penginjil Lukas, santo pelindung para seniman, yang diakui oleh Yohanes dari Damaskus sebagai seniman yang melukis potret sang Perawan.[1]

Jan Mabuse, Santo Lukas melukis sang Perawan, skt. 1520-25). Kunsthistorisches Museum, Wina
Santo Lukas melukis sang Perawan, skt. 1435–1440. 137.5 x 110.8cm. Museum of Fine Arts, Boston. Lukisan ini adalah subjek klasik untuk lukisan yang diberikan kepada gilda.

Lihat pulaSunting

CatatanSunting

  1. ^ Howe.

ReferensiSunting

  • Bartrum, Giulia. Albrecht Dürer and His Legacy. British Museum Press (2002). ISBN 0-7141-2633-0.
  • Baudouin, Frans. "Metropolis of the Arts." In: Antwerp's Golden Age: the metropolis of the West in the 16th and 17th centuries, Antwerp, 1973, pp. 23–33.
  • Belkin, Kristin Lohse. Rubens. Phaidon Press, 1998. ISBN 0-7148-3412-2.
  • Campbell, Lorne. "The Art Market in the Southern Netherlands in the Fifteenth Century." In: The Burlington Magazine, vol. 118, no. 877. (Apr., 1976), pp. 188–198.
  • Farquhar, J.D. "Identity in an Anonymous Age: Bruges Manuscript Illuminators and their Signs." Viator, vol 11 (1980), pp. 371–83.
  • Ford-Wille, Clare. "Antwerp, guild of S. Luke." The Oxford Companion to Western Art. Ed. Hugh Brigstocke. Oxford University Press, 2001. Grove Art Online. Oxford University Press, 2005. [accessed May 18, 2007]
  • Franits, Wayne, Dutch Seventeenth-Century Genre Painting, Yale UP, 2004, ISBN 0-300-10237-2.
  • Gibson,Walter S. "Artists and Rederijkers in the Age of Bruegel." In: The Art Bulletin, vol. 63, no. 3. (Sep., 1981), pp. 426–446.
  • Heppner, Albert. "The Popular Theatre of the Rederijkers in the Work of Jan Steen and His Contemporaries." In: Journal of the Warburg and Courtauld Institutes, vol. 3, no. 1/2. (Oct., 1939 - Jan., 1940), pp. 22–48.
  • Howe, Eunice D. "Luke, St" Grove Art Online. Oxford University Press, [accessed May 18, 2007]
  • Hughes, Anthony."'An Academy for Doing'. I: The Accademia del Disegno, the Guilds and the Principate in Sixteenth-Century Florence." Oxford Art Journal, vol. 9, no. 1. (1986), pp. 3–10.
  • Jack, Mary Ann. "The Accademia del Disegno in Late Renaissance Florence." In: Sixteenth Century Journal, vol. 7, no. 2. (Oct., 1976), pp. 3–20.
  • King, Catherine. "National Gallery 3902 and the Theme of Luke the Evangelist as Artist and Physician." In: Zeitschrift für Kunstgeschichte, vol. 48., no. 2. (1985), pp. 249–255.
  • Mather, Rufus Graves. "Documents Mostly New Relating to Florentine Painters and Sculptors of the Fifteenth Century." In: The Art Bulletin, vol. 30, no. 1. (Mar., 1948), pp. 20–65.
  • Montias, John Michael. "The Guild of St. Luke in 17th-Century Delft and the Economic Status of Artists and Artisans." In: Simiolus: Netherlands Quarterly for the History of Art, vol. 9, no. 2. (1977), pp. 93–105.
  • Olds, Clifton. "Jan Gossaert's 'St. Luke Painting the Virgin': A Renaissance Artist's Cultural Literacy." In: Journal of Aesthetic Education, vol. 24, no. 1, Special Issue: Cultural Literacy and Arts Education. (Spring, 1990), pp. 89–96.
  • Prak, Maarten. "Guilds and the Development of the Art Market during the Dutch Golden Age." In: Simiolus: Netherlands Quarterly for the History of Art, vol. 30, no. 3/4. (2003), pp. 236–251.
  • Slive, Seymour, Dutch Painting, 1600–1800, Yale UP, 1995, ISBN 0-300-07451-4
  • Smith, Pamela H. "Science and Taste: Painting, Passions, and the New Philosophy in Seventeenth-Century Leiden." In: Isis, vol. 90, no. 3. (Sep., 1999), pp. 421–461.

Bacaan selanjutnyaSunting

  • Stabel, Peter, "Organisation corporative et production d'oeuvres d'art à Bruges à la fin du moyen âge et au début des temps modernes", in: Le Moyen Âge. Revue d'histoire et de philologie, 113, 1, 2007, pp. 91–134.

Pranala luarSunting