The True Record
The True Record (Hanzi sederhana: 真相画报; Hanzi tradisional: 真相畫報; Pinyin: Zhēnxiāng Huàbào) adalah majalah bergambar yang diterbitkan di Shanghai, Tiongkok, antara Juni 1912 dan Maret 1913. Didirikan oleh saudara Gao Qifeng dan Gao Jianfu saat Republik Tiongkok yang baru lahir berupaya mengembangkan budaya baru setelah berabad-abad pemerintahan Qing, majalah ini berupaya memantau republik baru tersebut, melaporkan kesejahteraan rakyat, mempromosikan sosialisme, dan mendistribusikan pengetahuan dunia. Di bawah Gao dan rekan editor Huang Binhong, majalah ini menerbitkan tujuh belas edisi, memperluas jangkauannya dari Tiongkok hingga Asia Tenggara dan Hawaii. Sangat mendukung Sun Yat-sen dan gerakan nasionalis, majalah ini mengkritik Presiden Sementara Yuan Shikai, dan ditutup pada saat ia sedang mengonsolidasikan kekuasaannya.
.jpg) The first issue of The True Record | |
| Editor | Gao Qifeng |
|---|---|
| Kategori | Art, politics, current events |
| Frekuensi | Irregular |
| Penerbit | Aesthetic Institute |
| Terbitan pertama | 5 Juni 1912 |
| Terbitan terakhir | Maret 1913 |
| Perusahaan | The True Record Press[1] |
| Negara | Tiongkok |
| Berpusat di | Shanghai |
| Bahasa | Tionghoa, dengan keterangan menggunakan Bahasa Inggris |
Referensi
suntingKutipan
sunting- 【广东美术百年21大家】高奇峰 [21 Fine Arts Masters from Guangdong in the Past 100 Years: Gao Qifeng] (dalam bahasa Tionghoa). Guangdong Museum. 24 September 2017. Diarsipkan dari versi asli tanggal 3 December 2023. Diakses tanggal 17 September 2024.
- Andrews, Julia F. (2018). "Persuading with Pictures: Cover Art and The Ladies' Journal (1915–1931)". Dalam Hockx, Michel; Judge, Joan; Mittler, Barbara. Women and the Periodical Press in China's Long Twentieth Century. Cambridge: Cambridge University Press. hlm. 21–56. doi:10.1017/9781108304085.004. ISBN 978-1-108-30408-5.
- Andrews, Julia F.; Shen, Kuiyi (2012). The Art of Modern China. Berkeley, California: University of California Press. ISBN 978-0-520-23814-5.
- Cai Dengshan (蔡登山) (25 August 2023). 番禺高奇峰：未尽其才的"岭南三杰 [Panyu Gao Qifeng: The "Three Heroes of Lingnan" Who Did Not Use His Talents to Their Fullest]. Dute News (dalam bahasa Tionghoa). Shenzhen Media Group. Diarsipkan dari versi asli tanggal 17 September 2024. Diakses tanggal 17 September 2024.
- Chu, Christina (1998). "The Lingnan School and Its Followers: Radical Innovation in Southern China". Dalam Andrews, Julia Frances; Shen, Kuiyi. A Century in Crisis: Modernity and Tradition in the Art of Twentieth-century China. New York: Guggenheim Museum. hlm. 40–79. ISBN 978-0-8109-6909-4.
- Cochran, Sherman (2006). Chinese Medicine Men: Consumer Culture in China and Southeast Asia. Cambridge, Massachusetts: Harvard University Press. ISBN 978-0-674-02161-7.
- Croizier, Ralph (2023). Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906–1951. Berkeley, California: University of California Press. ISBN 978-0-520-33696-4.
- Dai, Jianbing; Wang, Yongyan (2019). Hebei Women's Normal Education Pioneers: One Century's Fragrant Trace of Wisdom. Diterjemahkan oleh Sumin Zhang. Newcastle upon Tyne: Cambridge Scholars. ISBN 978-1-5275-2209-1.
- Dillon, Michael (2021). China: A Modern History. London: I. B. Tauris. ISBN 978-0-7556-0188-2.
- Floriani, Giulia Pra (2023). "Photographic Portraits of Leaders of the 1911 Revolution: The Promise of Historical Rupture in the Chinese Republican Press". Dalam Satterthwaite, Tim; Thacker, Andrew. Magazines and Modern Identities: Global Cultures of the Illustrated Press, 1880–1945. London: Bloomsbury. ISBN 978-1-350-27865-3.
- Gu, Yi (2013). "What's in a Name? Photography and the Reinvention of Visual Truth in China, 1840–1911". The Art Bulletin. 95: 120–138. doi:10.1080/00043079.2013.10786109.
- Hong Lanxin (洪岚昕) Li Zihua (黎子华) (8 August 2022). 广东美术馆藏岭南画派文献系列（一）：《真相画报》 [Documents of the Lingnan School of Painting at the Guangdong Museum of Art, Series (I): The True Record] (dalam bahasa Tionghoa). Guangdong Museum. Diarsipkan dari versi asli tanggal 21 September 2024. Diakses tanggal 20 September 2024.
- Liang, Tiang S. (9 June 2022). "Zhenxiang huabao [The True Record]". Grove Art Online. doi:10.1093/oao/9781884446054.013.90000138520. Diakses tanggal 20 September 2024.
- Liu, Yiwen (2019). "Witnessing Death: The Circulation of Lu Xun's Postmortem Image". Trans-Asia Photography. 9 (2). doi:10.1215/215820251_9-2-204.
- Lum, Yansheng Ma; Lum, Raymond Mun Kong (1999). Sun Yat-sen in Hawaii: Activities and Supporters. Honolulu: University of Hawaii Press. ISBN 978-0-8248-2179-1.
- McKenna, Amy (3 October 2023). "Chinese Revolution 1911–1912". Encyclopaedia Britannica. Diarsipkan dari versi asli tanggal 14 February 2024. Diakses tanggal 21 September 2024.
- Nishigami, Masaru (2018). 中国絵画通史の構築と「変」の概念――黄賓虹（1865－1955）著『古画微』をめぐって [Providing a General History of Chinese Painting and the Concept of "Change": On "Guhuawei" by Huang Binhong (1865-1955)] (PDF). Bulletin of the Graduate School of Social and Cultural Systems (dalam bahasa Japanese) (15): 1–18.
- Pan Yaochang (潘耀昌) Xu Li (徐立) (2011). 上海早期都市文艺先锋 —《真相画报》 [Shanghai's Early Urban Art Pioneer - "The True Record"] (PDF). Journal of Shanghai University (dalam bahasa Tionghoa): 131–140.
- Roberts, Claire (2013). Photography and China. London: Reaktion Books. ISBN 978-1-78023-247-8.
- Spence, Johnathan D. (2013). The Search for Modern China (edisi ke-3rd). New York: W.W. Norton & Company. ISBN 978-0-393-93451-9.
- Tang Honfeng (唐宏峰) (2018). Uncanny，或者'故鬼重来'——近代中国的镜像图像与视错觉 [Uncanny, or 'Old Ghosts Coming Again": Mirror Images and Visual Illusions in Modern China]. Modern China Studies (dalam bahasa Tionghoa). 25 (2): 113–140.
- Tao Xiaojun (陶小军) Yang Xinmin (杨心珉) (2017). 从"折衷"到"现代"：抗战寓澳时期高剑父绘画思想的嬗变 [From 'Compromise' to 'Modernity': The Evolution of Gao Jianfu's Painting during the Anti-Japanese War in Macao] (PDF). Jiangsu Social Sciences (dalam bahasa Tionghoa) (5): 208–215.
- Wakeman, Frederic (2003). Spymaster: Dai Li and the Chinese Secret Service. Berkeley, California: University of California Press. ISBN 978-0-520-23407-9.
- Wang Jingjing (汪晶晶) (6 November 2008). 高奇峰 谁堪画圣之名 谁享最风光葬礼 [Gao Qifeng: Who Deserves the Title of the 'Painting Saint', Who has the Most Splendid Funeral]. Southern Metropolis Daily (dalam bahasa Tionghoa). Diarsipkan dari versi asli tanggal 5 January 2024. Diakses tanggal 17 September 2024. (via Guangzhou Digital Library)
- Warra, Carrie (1999). "Invention, Industry, Art: The Commercialization of Culture in Republican Art Magazines". Dalam Cochran, Sherman. Inventing Nanjing Road: Commercial Culture in Shanghai, 1900–1945. Ithaca, New York: Cornell East Asia Program. hlm. 61–90. ISBN 978-1-885445-63-6.
- Wong, Wendy Siuyi (2002). Hong Kong Comics. New York: Princeton Architectural Press. ISBN 978-1-56898-269-4.
- Xia Yi (夏羿) (2017). 清末民初国人对摄影媒介的认知 [The Chinese People's Understanding of the Medium of Photography in the Late Qing Dynasty and Early Republic of China] (PDF). Jiangsu Social Sciences (dalam bahasa Tionghoa) (1): 200–204.
- Zhu Wanzhang (朱万章) (31 July 2017). 高奇峰《松猿图》：画海横舟 劈波至勇 [Gao Qifeng's "Pine and Monkey": Painting a Boat Crossing the Sea and Bravely Cutting through the Waves]. rmzxb.com.cn (dalam bahasa Tionghoa). Chinese People's Political Consultative Conference. Diarsipkan dari versi asli tanggal 16 March 2021. Diakses tanggal 17 September 2024.