Tangga nada diatonik: Perbedaan antara revisi

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Baris 16:
Diatonik berasal dari bahasa Yunani "diatonikos" artinya "merenggangkan". Seringkali dipakai untuk menyebut keseluruhan [[mode musik|mode]], tetapi umumnya dipergunakan untuk menyebut skala mayor dan minor.
 
Hanya divisi oktaf tertentu oktaf, (12 dan 20) termasuk,yang memungkinkan keunikan, koherensi, dan kesederhanaan transposisional, dan bahwa hanya subset diatonik dan pentatonik dari 12 nada set kromatikikutikromatik ikuti kendala ini (Balzano, 1980, 1982)
==Bacaan lanjutan==
 
*Balzano, Gerald J. (1980). "The Group Theoretic Description of 12-fold and Microtonal Pitch Systems", ''Computer Music Journal'' '''4''':66–84.
*Balzano, Gerald J. (1982). "The Pitch Set as a Level of Description for Studying Musical Pitch Perception", ''Music, Mind, and Brain'', Manfred Clynes, ed., Plenum press.
*Clough, John (1979). "Aspects of Diatonic Sets", ''Journal of Music Theory'' '''23''':45–61.
*Ellen Hickmann, Anne D. Kilmer and Ricardo Eichmann, (ed.) ''Studies in Music Archaeology III'', 2001, VML Verlag Marie Leidorf GmbH., Germany {{ISBN|3-89646-640-2}}.
*Franklin, John C. (2002). "[http://www.kingmixers.com/Franklin%20PDF%20files%20copy/DiatonicmusicinGreece.pdf Diatonic Music in Greece: a Reassessment of its Antiquity]", ''[[Mnemosyne (journal)|Mnemosyne]]'' '''56.1''':669–702
*Gould, Mark (2000). "Balzano and Zweifel: Another Look at Generalised Diatonic Scales", "Perspectives of New Music" '''38/2''':88–105
*Johnson, Timothy (2003). ''Foundations Of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals''. Key College Publishing. {{ISBN|1-930190-80-8}}.
*Kilmer, A.D. (1971) "The Discovery of an Ancient Mesopotamian Theory of Music'". ''Proceedings of the American Philosophical Society'' '''115''':131–149.
*Kilmer, Crocket, Brown: ''Sounds from Silence'' 1976, Bit Enki Publications, Berkeley, Calif. LC# 76-16729.
*David Rothenberg (1978). "[http://lumma.org/tuning/rothenberg/AModelForPatternPerception.pdf A Model for Pattern Perception with Musical Applications Part I: Pitch Structures as order-preserving maps]", ''Mathematical Systems Theory'' '''11''':199–234
 
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