Antonín Dvořák: Perbedaan antara revisi

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''[[Symphony No. 7 (Dvořák)|Symphony No. 7 in D minor]]'' of [[1885]] is perhaps the most [[romantic music|Romantic]] symphony by the composer, and often reckoned to exhibit more formal tautness and greater intensity than the more famous [[Symphony No. 9 (Dvořák)|9th Symphony]]. The 7th could hardly be a starker contrast to the more relaxed ''[[Symphony No. 8 (Dvořák)|Symphony No. 8 in G major]]'', a work which Karl Schumann (in booklet notes to a recording of all the symphonies by [[Rafael Kubelík]]) compares to the works of [[Gustav Mahler]].
 
By far the most popular, however, is Dvořák's ''[[Symphony No. 9 (Dvořák)|Symphony No. 9 in E minor]]'' , better known under its subtitle, ''From the New World''. This was written between January and May 1893, while he was in New York. At the time of its composition, Dvořák claimed that he used elements from American music such as [[spiritual (music)|Spiritual]]s and [[Native American music]] in this work, but he later denied this. The first movement has a [[solo (music)|solo]] [[flute]] passage very reminiscent of ''[[Swing Low, Sweet Chariot]]'', and one of his students later reported that the second movement depicted, programmatically, the sobbing of [[Hiawatha]]. The second movement was so reminiscent of a [[negro spiritual]] that [[William Arms Fisher]] wrote lyrics for it and called it ''[[Goin' Home]].'' Dvořák was interested in indigenous American music, but in an article published in the [[New York Herald]] on December 15, 1893, he wrote "[In the 9th symphony] I have simply written original themes embodying the peculiarities of the Indian music." It is generally accepted that the work has more in common with the folk music of Dvořák's native Bohemia than with American music.
 
[[Neil Armstrong]] took this symphony to the [[Moon]] during the ''[[Apollo 11]]'' mission, the first Moon landing mission, in [[1969]].