Kenaikan Yesus dalam seni rupa Kristen: Perbedaan antara revisi

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[[Berkas:Dosso Dossi 022.jpg||thumbjmpl|200px|[[Kenaikan Yesus|Kenaikan]], karya [[Dosso Dossi]], abad ke-16.<ref name=Earls />]]
[[Kenaikan Yesus]] ke [[Surga]] seperti yang disebutkan dalam [[Perjanjian Baru]] telah menjadi subyek berkelanjutan dalam [[seni rupa Kristen]], serta sebuah tema dalam penulisan teologi.<ref name=Schade >''Encyclopedia of World Religions'' by Johannes P. Schade 2007, ISBN 1-60136-000-2 entry under Ascension.[http://books.google.com/books?id=XRkfKdho-5cC&pg=PT81&dq=ascension+jesus+christian+art&hl=en&ei=vXe0TdbeMdSC5AaH58jdCw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CEMQ6AEwAQ#v=onepage&q=ascension%20jesus%20christian%20art&f=false]</ref> Namun, Kenaikan Yesus bukanlah satu-satunya penggambaran kenaikan dan figur lainnyam seperti [[Yohanes sang Penginjil|Santo Yohanes]], secara terpisah digambarkan naik ke Surga.<ref name=Earls />
 
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Dalam beberapa penggambaran, (dan biasanya dalam [[Gereja Timur]]) [[Bunda Maria]] menjadi figur tengah dari kelompok [[Rasul (Kristen)|Para Rasul]] (mewakili Gereja) yang mengadah ke hadapan Yesus yang naik ke surga yang biasanya melakukan pemberkatan dengan tangan kanan-Nya<ref name=Nes /><ref name=Leonide />
 
== Perkembangan ikonografi ==
 
[[FileBerkas:Reidersche Tafel c 400 AD.jpg|thumbjmpl|leftkiri|180px|''[[Kenaikan Yesus|Ascension of Christ]]'' dan ''[[Noli me tangere]]'', ~ 400, gading, Milan atau Roma, sekarang di [[Munich]]. Lihat di bawah untuk karya serupa ''Ascension'' 450 tahun kemudian.]]
<!--Testament scenes that appear in the Christian art of the 3rd and 4th centuries typically deal with the works and [[miracles of Jesus]] such as healings, the [[Feeding the multitude|multiplication of the loaves]] or the [[raising of Lazarus]].<ref name= Jensen51 /> Although versions of the subject of ''[[Christ in Majesty]]'', which show the resurrected and ascended Christ in heaven, appear earlier, the Ascension itself is not depicted until about 400. In early scenes Christ may be shown striding up a mountain, at times the [[Hand of God (art)|Hand of God]] reaching from within the clouds to assist him.<ref name=Ross />
 
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Menjelang abad ke-6 ikonografi Kenaikan telah didirikan dan menjelang abad ke-9 adegan Kenaikan sudah digambar pada kubah gereja-gereja.<ref name= Baggley >''Festival Icons for the Christian Year'' by John Baggley 2000 {{ISBN|0-264-67487-1}} pages 137-138</ref><!-- In some representations there may be no mountain and he may be climbing a [[mandorla]], or be lifted towards Heaven in a mandorla by angels.<ref name=Ross /> In [[Romanesque art|Romanesque]] depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood [[relief]]s until well after the [[Reformation]]. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the [[Chapel of the Ascension (Jerusalem)|Chapel of the Ascension]] on the [[Mount of Olives]] in [[Jerusalem]].<ref name="Kerbrat"/> The scene may also include the Apostles, two men in white and the Virgin Mary.<ref name=Ross >''Medieval Art: a Topical Dictionary'' by Leslie Ross 1996 {{ISBN|978-0-313-29329-0}} pages 25-26</ref>
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== Struktur dan representasi ==
[[FileBerkas:RabulaGospelsFol13vAscension.jpg|thumbjmpl|180px|Kenaikan dalam [[Rabbula Gospels]], abad ke-6.]]
 
Adegan Kenaikan secara alamiah terbagi dalam dua zona, bagian surgawi di sebelah atas dan bagian duniawi di sebelah bawah. Kristus yang naik ke sorga dapat digambarkan membawa suatu panji kebangkitan atau membuat tanda pemberkatan dengan tangan kanan-Nya.<ref name=Earls >''Renaissance Art: a Topical Dictionary'' by Irene Earls 1987 {{ISBN|0-313-24658-0}} pages 26-27 [https://books.google.com/books?id=xAdrziNnqLIC&pg=PA27]</ref> Gerakan memberkati oleh Kristus dengan tangan kanan ditujukan kepada kelompok manusia duniawi di bawah-Nya dan menunjukkan bahwa Ia memberkati seluruh Gereja.<ref name=Leonide /> Pada tangan kiri-Nya Ia dapat memegang sebuah [[kitab Injil]] atau gulungan, melambangkan pengajaran dan pemberitaan.<ref name=Leonide >''The Meaning of Icons'' by Leonide Ouspensky, [[Vladimir Lossky]] 1999 {{ISBN|0-913836-77-X}} page 197</ref><!-- From the [[Renaissance]] on the angels may not be present.
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== Galeri ==
 
=== Gereja Barat ===
 
==== Lukisan dan mosaik ====
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<gallery perrow=4>
File:Himmelfahrt Christi BNM MA158.jpg|[[Anglo-Saxon art|Anglo-Saxon]](?) [[ivory carving|ivory relief]], 8th century
File:Himmelfahrt Christi c 800.jpg|Unusual [[Anglo-Saxon art|Anglo-Saxon]] or Alpine, [[ivory carving|ivory box cover]], c. 750-800 AD, with Mary and the [[Evangelists' symbols]]
File:Ribe domkirke - Kanzel 6 Himmelfahrt.jpg|A rather late version of the "disappearing feet" depiction in wood [[relief]], 1597
File:Aulendorf Pfarrkirche Stuckdecke Christi Himmelfahrt.jpg|Christ ascending alone, [[Aulendorf]], Germany, 1711
</gallery>
 
=== Ikon Timur ===
<gallery perrow=4>
File:The Ascension of Our Lord.jpg|[[Novgorod School]] abad ke-14
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</gallery>
 
== Lihat pula ==
{{Commons category|Ascension of Jesus Christ}}