Dewangga Bayeux: Perbedaan antara revisi

'''Tapestri Bayeux''' atau '''Bordiran Bayeux'''<ref>{{Cite book|title=Reframing Medieval Art: Difference, Margins, Boundaries|last=Caviness|first=Madeline H.|publisher=Tufts University|year=2001|isbn=|location=Medford, MA|pages=|quote=Yet in modern times, this piece of eleventh-century women's work has been wrongly called a "tapestry," a term that is readily associated with the large male-dominated workshops of northern Europe in the late middle ages that produced images woven into the fabric. The correct term "Bayeux Embroidery" evokes the manual work of women, probably the very reason that previous attempts to call this famous work a Broderie have not prevailed.|via=http://dca.lib.tufts.edu/caviness/}}</ref><ref>{{Cite journal|last=Koslin|first=Desirée|year=1990|title=Turning Time in the Bayeux Embroidery|url=|journal=Textile & Text|volume=13|pages=28–9|via=}}</ref><ref>{{Cite book|title=La tapisserie de Bayeux|last=Bertrand|first=Simone|publisher=Zodiaque|year=1966|isbn=|location=La Pierre-qui-Vire|pages=23|quote=et combien pauvre alors ce nom de broderie nous apparaît-il!|via=}}</ref> ({{IPAc-en|lang|b|aɪ|ˈ|j|@:}} atau {{IPAc-en|US|b|A:|ˈ|j|uː}}, {{IPAc-en|b|eɪ|ˈ|j|uː}}; {{lang-fr|Tapisserie de Bayeux}}, {{IPA-fr|tapisʁi də bajø|IPA}}, atau ''La telle du conquest''; {{lang-la|Tapete Baiocense}}) adalah sebuah kain [[bordir]]an dengan panjang sekitar {{convert|70|m|ft}} dan lebar {{convert|50|cm|in}}, yang menggambarkan peristiwa-peristiwa yang berujung pada [[Penaklukan Inggris oleh Norman]] yang menyoroti [[William sang Penakluk|William, Adipati Normandy]], dan [[Harold Godwinson|Harold, Earl of Wessex, kemudian Raja Inggris]], dan memuncak dalam [[Pertempuran Hastings]].