Tangga nada diatonik: Perbedaan antara revisi

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[[Skala mayor]] dimulai dengan not pertama (Do), dan berakhir sampai not 'Do' yang ada satu oktaf diatas Do yang pertama.
 
Dalam [[teori musik]], the '''diatonic major scale''' adalah bagian penting dalam pembangunan tradisi musik dunia Barat. It contains seven notes to the octave, corresponding to the white keys on a piano, obtained from a chain of six successive fifths in some version of [[meantone temperament]], and resulting in two [[tetrachord]]s separated by [[interval (music)|intervalintervals]]s of a whole tone. If our version of meantone is the twelve tone [[equal temperament]] the pattern of intervals in semitones will be 2-2-1-2-2-2-1. The [[major scale]] begins on the first note and proceeds by steps to the first octave. In [[solfege]], the syllables for each scale degree are "Do-Re-Mi-Fa-Sol-La-Ti-Do".
 
The [[minor scale|natural minor scale]] can be thought of in two ways, the first is as the ''relative minor'' of the major scale, beginning on the sixth degree of the scale and proceeding step by step through the same tetrachords to the first octave of the sixth degree. In solfege "La-Ti-Do-Re-Mi-Fa-Sol."
 
Alternately, the natural minor can be seen as a composite of two different tetrachords of the pattern 2-1-2-2-1-2-2. In solfege "Do-Re-Mé-Fa-Sol-Lé-Té-Do."
 
Western harmony from the Renaissance up until the late nineteenth century is based upon the diatonic scale and the unique relationships created by this system of organizing seven notes. It should be kept in mind that most longer pieces of common practice music change key, but this leads to a relationship of diatonic scales in one key with those in another, see [[modulation (music)]].