Film kejahatan

Film kejahatan adalah sebuah film yang masuk genre fiksi kejahatan. Film-film dari genre tersebut melibatkan berbagai aspek kejahatan dan fiksi. Dalam hal gaya, genre tersebut tumpang tindih dan terpadu dengan beberapa genre lainnya, seperti drama atau film gangster,^[1] selain juga meliputi komedi, dan sebaliknya, terbagi dalam banyak sub-genre, seperti misteri, suspen atau noir.

Penulis naskah dan cendekiawan Eric R. Williams mengidentifikasi film kejahatan sebagai salah satu dari sebelas super-genre dalam Screenwriters Taxonomy, mengklaim bahwa seluruh film naratif berjangka fitur dapat diklasifikasikan oleh super-genre tersebut. Sepuluh super-genre lainnya adalah laga, fantasi, horor, romansa, fiksi ilmiah, potongan kehidupan, olahraga, cerita seru, perang dan barat.^[2] Williams mengidentifikasi drama dalam kategori luas yang disebut "jenis film", misteri dan suspen sebagai "makro-genre", dan film noir sebagai "wadah penulis naskah" menjelaskan bahwa karakteri tersebut bersifat tambahan alih-alih eksklusif.^[3] Chinatown merupakan contoh film yang merupakan film kejahatan (super-genre) drama (jenis film) yang juga misteri (makro-genre) noir (wadah).

Referensi

^ "Metasearch Search Engine". search.com (dalam bahasa Inggris). Diakses tanggal 2019-01-18.
^ Williams, Eric R. (2017). The screenwriters taxonomy : a roadmap to collaborative storytelling. New York, NY: Routledge Studies in Media Theory and Practice. ISBN 978-1-315-10864-3. OCLC 993983488. P. 21
^ Williams, Eric R. "How to View and Appreciate Great Movies". English (dalam bahasa Inggris). Diakses tanggal 2020-06-07.

Sumber

Bould, Mark (2013). "Genre, Hybridity, Heterogeneity or the Noir-SF-Vampire-Zombie-Splatter-Romance-Comedy-Action-Thriller Problem". Dalam Spicer, A.; Hanson, H (ed.). A Companion to Film Noir. Blackwell Publishing Ltd. ISBN 9781444336276.
Clarens, Carlos (1997) [1980]. Crime Movies (Edisi 2). Da Capo Press. ISBN 0306807688.
Curti, Roberto (2015). Italian Gothic Horror Films, 1957–1969. McFarland & Company. ISBN 978-1-4766-1989-7.
Hampton, Benjamin B. (1970). A History of the Movies. Covici-Friede Publishers.
Kaminsky, Stuart M. (1974). American Film Genres. Pflaum Publishing. ISBN 978-0-8278-0277-3.
Langford, Barry (2005). Film Genre: Hollywood and Beyond. Edinburgh University Press. ISBN 1474470130.
Lee, Daryl (2014). The Heist Film: Stealing with Style. Wallflower Press. ISBN 978-0-231-16969-1.
Leitch, Thomas (2004). Crime Films. Cambridge University Press. ISBN 0-521-64106-3.
Rafter, Nicole Hahn (2006). "Introduction". Dalam Rafter, Nicole (ed.). Shots in the Mirror: Crime Films and Society (Edisi 2nd). Oxford University Press. ISBN 0-19-512982-2.
Rubin, Martin (1999). Thrillers. Cambridge University Press. ISBN 0-521-58183-4.
Schatz, Thomas (1981). Hollywood Genres: Formulas, Filmmaking, and the Studio System. Random House. ISBN 0-394-32255-X.
Silver, Alain; Ursini, James (2020). "Crime and Mass Media". Dalam Rzepka, Charles J.; Horsley, Lee (ed.). A Companion to Crime Fiction. John Wiley & Sons. ISBN 978-1119675778.
Spina, Ferdinando (2018). "Crime Films". Dalam Rafter, Nicole; Brown, Michelle (ed.). The Oxford Encyclopedia of Crime, Media, and Popular Culture. Oxford University Press. ISBN 9780190494674.
Selbo, Jule (2014). Film Genre for the Screenwriter. Taylor & Francis. ISBN 978-1-317-69568-4.
Staiger, Janet (1997). "Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History". Film Criticism. 22 (1): 5–20. JSTOR 44018896. Diakses tanggal June 18, 2024.
Todd, Drew (2006). "The History of Crime Films". Dalam Rafter, Nicole (ed.). Shots in the Mirror: Crime Films and Society (Edisi 2nd). Oxford University Press. ISBN 0-19-512982-2.

Bacaan tambahan

Criminology and Criminal Justice
Cavender, Gray, and Nancy C. Jurik. "Risky business: Visual representations in corporate crime films." Routledge international handbook of visual criminology (2017): 215–228.
Hughes, Howard. Crime Wave: The Filmgoers' Guide to the Great Crime Movies (2006) excerpt
Kadleck, Colleen, and Alexander M. Holsinger. " 'Two Perspectives' on Teaching Crime Films." Journal of criminal justice education 29.2 (2018): 178–197. [1]
King, Neal, Rayanne Streeter, and Talitha Rose. "Cultural Studies Approaches to the Study of Crime in Film and on Television." Oxford Research Encyclopedia of Criminology and Criminal Justice (2016). online
Leitch, Thomas M. Crime Films. (Cambridge UP, 2002), ISBN 978-0-521-64671-0
Lenz, Timothy O. Changing Images of Law in Film and Television Crime Stories (Lang, 2003)
Lichtenfeld, Eric. Action speaks louder: Violence, spectacle, and the American action movie (Wesleyan University Press, 2007).
Mayer, Geoff. Historical dictionary of crime films (Scarecrow Press, 2012). online
Rafter, Nicole. "Crime, film and criminology: Recent sex-crime movies." Theoretical criminology 11.3 (2007): 403–420.
Rafter, Nicole Hahn, and Michelle Brown. Criminology goes to the movies: Crime theory and popular culture (NYU Press, 2011).
Ramaeker, Paul. "Realism, revisionism and visual style: The French Connection and the New Hollywood policier." New Review of Film and Television Studies 8.2 (2010): 144–163. online
Simpson, Philip L. Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction (University of Southern Illinois Press, 2000).
Sorrento, Matthew. The New American Crime Film (2012) excerpt
Spina, Ferdinando. "Crime Films". Oxford Research Encyclopedia of Criminology (Oxford University Press, 2017)
Welsh, Andrew, Thomas Fleming, and Kenneth Dowler. "Constructing crime and justice on film: Meaning and message in cinema." Contemporary Justice Review 14.4 (2011): 457–476. online

Eropa

Baschiera, Stefano. "European Crime Cinema and the Auteur." European Review 29.5 (2021): 588–600.
Chibnall, Steve, and Robert Murphy. British crime cinema (Routledge, 2005).
Davies, Ann. "Can the contemporary crime thriller be Spanish?" Studies in European Cinema 2.3 (2005). online
Forshaw, Barry. British crime film: Subverting the social order (Springer, 2012).
Forshaw, Barry. Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film and TV (2014) excerpt
Gerhards, Sascha. "Ironizing Identity: The German Crime Genre and the Edgar Wallace Production Trend of the 1960s." in Generic Histories of German Cinema: Genre and its Deviations (Camden House, 2013) pp: 133–155.
Hansen, Kim Toft, Steven Peacock, and Sue Turnbull, eds. European television crime drama and beyond (Cham: Palgrave Macmillan, 2018).
Marlow-Mann, Alex. "Strategies of Tension: Towards a Reinterpretation of Enzo G. Castellari's The Big Racket and the Italian Crime Film." in Popular Italian Cinema (2013) pp: 133–146.
Peacock, Steven. Swedish crime fiction: Novel, film, television (Manchester University Press, 2015).
Reisinger, Deborah Streifford. Crime and media in contemporary France (Purdue University Press, 2007).
Toft Hansen, Kim, Steven Peacock, and Sue Turnbull. "Down these European mean streets: Contemporary issues in European television crime drama." in European television crime drama and beyond (2018) pp: 1–19. online
Wilson, David, and Sean O'Sullivan. Images of Incarceration: Representations of Prison in Film and Television (Waterside Press, 2004), British emphasis.

[:0-1] "Metasearch Search Engine". search.com (dalam bahasa Inggris). Diakses tanggal 2019-01-18.

[2] Williams, Eric R. (2017). The screenwriters taxonomy : a roadmap to collaborative storytelling. New York, NY: Routledge Studies in Media Theory and Practice. ISBN 978-1-315-10864-3. OCLC 993983488. P. 21

[3] Williams, Eric R. "How to View and Appreciate Great Movies". English (dalam bahasa Inggris). Diakses tanggal 2020-06-07.

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