Film kejahatan

genre film

Film kejahatan adalah sebuah film yang masuk genre fiksi kejahatan. Film-film dari genre tersebut melibatkan berbagai aspek kejahatan dan fiksi. Dalam hal gaya, genre tersebut tumpang tindih dan terpadu dengan beberapa genre lainnya, seperti drama atau film gangster,[1] selain juga meliputi komedi, dan sebaliknya, terbagi dalam banyak sub-genre, seperti misteri, suspen atau noir.

James Cagney dan Humphrey Bogart dalam sebuah cuplikan promosional untuk film kejahatan The Roaring Twenties (1939).

Penulis naskah dan cendekiawan Eric R. Williams mengidentifikasi film kejahatan sebagai salah satu dari sebelas super-genre dalam Screenwriters Taxonomy, mengklaim bahwa seluruh film naratif berjangka fitur dapat diklasifikasikan oleh super-genre tersebut. Sepuluh super-genre lainnya adalah laga, fantasi, horor, romansa, fiksi ilmiah, potongan kehidupan, olahraga, cerita seru, perang dan barat.[2] Williams mengidentifikasi drama dalam kategori luas yang disebut "jenis film", misteri dan suspen sebagai "makro-genre", dan film noir sebagai "wadah penulis naskah" menjelaskan bahwa karakteri tersebut bersifat tambahan alih-alih eksklusif.[3] Chinatown merupakan contoh film yang merupakan film kejahatan (super-genre) drama (jenis film) yang juga misteri (makro-genre) noir (wadah).

Referensi

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  1. ^ "Metasearch Search Engine". search.com (dalam bahasa Inggris). Diakses tanggal 2019-01-18.
  2. ^ Williams, Eric R. (2017). The screenwriters taxonomy : a roadmap to collaborative storytelling. New York, NY: Routledge Studies in Media Theory and Practice. ISBN 978-1-315-10864-3. OCLC 993983488. P. 21
  3. ^ Williams, Eric R. "How to View and Appreciate Great Movies". English (dalam bahasa Inggris). Diakses tanggal 2020-06-07.

Sumber

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Bacaan tambahan

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