Royal Academy of Arts: Perbedaan antara revisi

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== Sejarah ==
Royal Academy of Arts didirikan oleh keinginan pribadi [[George III dari Britania Raya|Raja George III]] pada 10 Desember 1768 dengan misi untuk mempromosikan sendi dan desain di Inggris melalui pendidikan dan pameran. Motif pendirian bermakna ganda: untuk meningkatkan status profesional seniman dengan mengembangkan sistem sarana pelatihan dan penilaian para ahli seni untuk mengadakan pameran karya seni kontemporer sesuai standar yang tinggi. Dibalik itu ada keinginan untuk mengembangkan sekolah seni nasional dan mendorong apresiasi seni masyarakat dengan citarasa yang baik.
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Fashionable taste in 18th century Britain had centered on continental and traditional art forms, providing contemporary artists little opportunity to sell their works. From 1746 the [[Foundling Hospital]], through the efforts of William Hogarth, provided an early venue for contemporary artists to show their work in Britain. The success of this venture led to the formation of the [[Society of Artists]] and the Free Society of Artists. Both these groups were primarily exhibiting societies and their initial success was marred by internal fractions amongst the artists. The combined vision of education and exhibition to establish a national school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries supplanting the earlier art societies.
 
Citarasa gaya di Inggris pada abad ke-18 telah berpusat pada bentuk-bentuk seni tradisional dan benua Eropa, seniman kontemporer mempunyai kesempatan yang kecil untuk menjual karya mereka. Dari tahun 1746 karya berjudul ''Foundling Hospital'', melalui upaya William Hogarth, menjadi titik awal para seniman kontemporer untuk menampilkan karya mereka di Inggris. Keberhasilan ini mengarah pada pembentukan Yayasan Seniman (''[[Society of Artists]]'') dan ''Free Society of Artists''. Keduanya berawal dari perkumpulan pameran dan sukses awalnya biasanya dikacaukan oleh pertikaian internal diantara para seniman. Visi gabungan pendidikan dan pameran dengan mendirikan sekolah seni nasional membuat Royal Academy berbeda dari perkumpulan pameran lain yang pernah ada. Ini membuat dasar dimana Royal Academy mendominasi suasana kesenian abad 18 dan 19 menggantikan masyarakat seni yang pernah ada sebelumnya.
Sir [[William Chambers (architect)|William Chambers]] used his connections with [[George III of the United Kingdom|King George III]] to gain royal patronage and financial support of the Academy and the painter Sir [[Joshua Reynolds]] was made its first President.
 
Sir [[William Chambers (arsitek)|William Chambers]] menggunakan kedekatannya dengan [[George III dari Britania Raya|Raja George III]] untuk mendapatkan dukungan kerajaan dan dukungan pendanaan dan pelukis Sir [[Joshua Reynolds]] diangkat menjadi direktur pertama.
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The Instrument of Foundation of the Royal Academy signed by [[George III of the United Kingdom|King George III]] on 10 December 1768 named 34 Founder Members and allowed for a total membership of 40. The Founder Members were [[Joshua Reynolds|Sir Joshua Reynolds]], [[Benjamin West]], [[Thomas Sandby]], [[Francis Cotes]], John Baker, [[Mason Chamberlin]], [[John Gwynn]], [[Thomas Gainsborough]], [[Giovanni Battista Cipriani]], [[Jeremiah Meyer]], Francis Milner Newton, [[Paul Sandby]], [[Francesco Bartolozzi]], [[Charles Catton]], [[Nathaniel Hone the Elder]], William Tyler, [[Nathaniel Dance-Holland|Nathaniel Dance]], [[Richard Wilson (painter)]], [[George Michael Moser]], Samuel Wale, Peter Toms, [[Angelica Kauffman]], [[Richard Yeo]], [[Mary Moser]], [[William Chambers (architect)|William Chambers]], [[Joseph Wilton]], [[George Barret, Sr.|George Barret]], Edward Penny, [[Agostino Carlini|Augustino Carlini]], [[Francis Hayman]], [[Dominic Serres]], John Richards, [[Francesco Zuccarelli]], [[George Dance the Younger|George Dance]]. [[William Hoare]] and [[Johann Zoffany]] were added to this list later by the King and are known as Nominated Members. Amongst the Founder Members were two women, a father and daughter and two sets of brothers.
[[File:The Royal Academicians assembled in their council chamber to adjudge the Medals.jpg|thumb|left|200px|Study for [[Henry Singleton (painter)|Henry Singleton]]'s painting ''The Royal Academicians assembled in their council chamber to adjudge the Medals to the successful students in Painting, Sculpture, Architecture and Drawing'', which hangs in the Royal Academy. Ca. 1793.]]
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The most prized possession of the Academy’s collection is [[Michelangelo]]'s ''Taddei Tondo'', left to the Academy by Sir [[George Beaumont]]. The Tondo is on display in a purpose-built area on the [[Sackler Wing]] gallery level. Carved in [[Florence]] in 1504–06, it is the only marble by Michelangelo in the [[United Kingdom]] and represents the [[Virgin Mary]] and Child with the infant [[St John the Baptist]].
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==Keanggotaan==
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