Tintoretto: Perbedaan antara revisi

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'''Tintoretto''' (nama aslinya '''Jacopo Comin'''; {{lahirmati||29|9|1518||31|5|1594}}) adalah salah seorang pelukis terbesar dari aliran [[Venesia]] dan mungkin adalah pelukis besar terakhir dari zaman [[Renaissance Italia]]. Di masa mudanya, ia juga dipanggil '''Jacopo Robusti''', karena ayahnya dulu pernah mempertahankan gerbang kota [[Padua]] dalam suatu cara yang cukup keras melawan pasukan kekaisaran. Nama aslinya "Comin" hanya baru-baru ini saja ditemukan oleh Miguel Falomir, [[kurator]] ''Museo del Prado'', [[Madrid]], dan disebarkan kepada publik dalam acara Retrospeksi Tintoretto di Prado pada tahun 2007. Comin bermakna tumbuhan [[jintan putih]] (Bahasa Inggris: ''cumin'') dalam bahasa setempatnya.<ref>[http://www.cbc.ca/arts/artdesign/story/2007/01/21/tintoretto-name.html?ref=rss Spanish curator uncovers true name of Tintoretto]</ref>

A comparison of Tintoretto's final ''The Last Supper'' with [[Leonardo da Vinci]]'s [[The Last Supper (Leonardo)|treatment of the same subject]] provides an instructive demonstration of how artistic styles evolved over the course of the [[Renaissance]]. Leonardo's is all classical repose. The disciples radiate away from [[Christ]] in almost-mathematical symmetry. In the hands of Tintoretto, the same event becomes dramatic, as the human figures are joined by [[angels]]. A servant is foregrounded, perhaps in reference to the [[Gospel of John]] 13:14-16. In the restless dynamism of his composition, his dramatic use of light, and his emphatic perspective effects, Tintoretto seems a [[baroque]] artist ahead of his time.

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