Antonín Dvořák: Perbedaan antara revisi
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From 1892 to 1895, Dvořák was the director of the [[National Conservatory of Music]] in [[New York City]], which had been founded by a wealthy and philanthropic socialite, [[Jeannette Thurber]] (the school was demolished in 1911 and replaced by what is now a high school, but it was located at [http://kvaleberg.com/extensions/mapsources/index.php?params=40_44_08.5_N_73_59_14_W_type:landmark 126-128] [[17th Street (Manhattan)|East 17th Street]] at the southeast corner of the intersection with Irving Place, a block east of [[Union Square]] <ref name="songlines">Naureckas, Jim. [http://www.nysonglines.com/17st.htm "New York Songlines - Seventeenth Street."] 13 June 2006.</ref>). Here Dvořák met with [[Harry Burleigh]], one of the earliest [[African-American]] composers, although Burleigh was never his pupil. Burleigh introduced traditional American [[spiritual (music)|Spirituals]] to Dvořák at the latter's request.
In the winter and spring of 1893, while in New York, Dvořák wrote his most popular work, the ''[[Symphony No. 9 (Dvořák)|Symphony No.9, "From the New World"]]''. He spent the summer of 1893 with his family in the [[Czech language|Czech]]-speaking community of [[Spillville, Iowa]]. While there he composed two of his most famous chamber works, the [[String Quartet No. 12 (Dvořák)|
Over the course of three months in 1895, Dvořák wrote his ''[[Cello Concerto (Dvořák)|Cello Concerto in B minor]]'', which was to become one of his most popular works. However, problems with Mrs. Thurber about his salary, together with increasing recognition in Europe — he had been made an honorary member of the ''[[Gesellschaft der Musikfreunde]]'' in [[Vienna]] — made him decide to return home.
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== Lihat pula ==
* [[:Kategori:Komposisi oleh Antonín Dvořák]]
* [[Daftar komposisi oleh Antonín Dvořák]]
== Referensi ==
* John Clapham (1979), ''Dvořák'', ISBN 0-7153-7790-6
* New Grove Dictionary of Music and Musicians: ''Dvořák,Antonín''
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