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Film eksperimental, sinema eksperimental atau sinema avant-garde adalah sebuah mode pembuatan film yang mengevaluasi ulang konvensi sinematik dan mengeksplorasi bentuk-bentuk non-naratif dan alternatif dari naratif tradisional atau metode pengerjaan.[1] Beberapa film eksperimental, terutama yang terawal, berkaitan dengan seni rupa dalam disiplin lainnya: melukis, menari, sastra dan puisi,[2] atau timbul dari riset dan pengembangan sumber daya teknikal baru.[3]

CatatanSunting

  1. ^ Maria Pramaggiore and Tom Wallis, Film: A Critical Introduction, Laurence King Publishing, London, 2005, pg. 247
  2. ^ Laura Marcus, The Tenth Muse: Writing about Cinema in the Modernist Period, Oxford University Press, New York 2007
  3. ^ * Gene Youngblood, Expanded Cinema (Dutton, 1970) available as pdf at Ubuweb

ReferensiSunting

  • A. L. Rees, A History of Experimental Film and Video (British Film Institute, 1999).
  • Malcolm Le Grice, Abstract Film and Beyond (MIT Press, 1977).
  • Scott MacDonald, A Critical Cinema, Volumes 1, 2, 3, 4 and 5 (Berkeley: University of California Press, 1988, 1992, 1998, 2005, and 2006).
  • Scott MacDonald, Avant-Garde Film: Motion Studies (Cambridge: Cambridge University Press, 1993).
  • Holly Rogers, Sounding the Gallery: Video and the Rise of Art-Music (Oxford: Oxford University Press, 2013).
  • Holly Rogers and Jeremy Barham, the Music and Sound of Experimental Film (Oxford: Oxford University Press, 2017).
  • James Peterson, Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema (Detroit: Wayne State University Press, 1994).
  • Jack Sargeant, Naked Lens: Beat Cinema (Creation, 1997).
  • P. Adams Sitney, Visionary Film: The American Avant-Garde (New York: Oxford University Press, 1974).
  • Michael O’Pray, Avant-Garde Film: Forms, Themes and Passions (London: Wallflower Press, 2003).
  • David Curtis (ed.), A Directory of British Film and Video Artists (Arts Council, 1999).
  • David Curtis, Experimental Cinema - A Fifty Year Evolution (London. Studio Vista. 1971)
  • Wheeler Winston Dixon, The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema (Albany, NY: State University of New York Press, 1997)
  • Wheeler Winston Dixon and Gwendolyn Audrey Foster (eds.) Experimental Cinema - The Film Reader (London: Routledge, 2002)
  • Stan Brakhage, Film at Wit's End - Essays on American Independent Filmmakers (Edinburgh: Polygon. 1989)
  • Stan Brakhage, Essential Brakhage - Selected Writings on Filmmaking (New York: McPherson. 2001)
  • Parker Tyler, Underground Film: A Critical History (New York: Grove Press, 1969)
  • Jeffrey Skoller Shadows, Specters, Shards: Making History in Avant-Garde Film (Minneapolis: Minnesota UP, 2005)
  • Jackie Hatfield, Experimental Film and Video (John Libbey Publishing, 2006; distributed in North America by Indiana University Press)
  • Gene Youngblood, Expanded Cinema (Dutton, 1970) available as pdf at Ubuweb
  • Dominique Noguez, Éloge du cinéma expérimental (Paris Expérimental, 2010, 384 p. ISBN 978-2-912539-41-0, in French) Paris Expérimental
  • Al Rees, David Curtis, Duncan White, Stephen Ball, Editors,Expanded Cinema: Art, Performance and Film, (Tate Publishing, 2011)