Apelles

Apelles dari Kos (/əˈpɛliːz/; Yunani: Ἀπελλῆς; hidup pada abad ke-4 SM) adalah seorang pelukis Yunani kuno terkenal. Pliny the Elder memberikan banyak pengetahuan soal seniman tersebut kepada para cendekiawan modern. Ia menanggalkan Apelles dengan Olympiad ke-112 (332–329 SM), diyakini karena ia membuat sebuah potret Aleksander Agung.^[1]

Referensi dan sumber sunting

Referensi sunting

^ Bostock, John. "Natural History". Perseus. Tufts University. Diakses tanggal 23 March 2017. "But it was Apelles of Cos, in the hundred and twelfth Olympiad, who surpassed all the other painters who either preceded or succeeded him. Single-handed, he contributed more to painting than all the others together, and even went so far as to publish some treatises on the principles of the art."

Sumber sunting

Artikel ini menyertakan teks dari suatu terbitan yang sekarang berada pada ranah publik: Gardner, Percy (1911). "Apelles". Dalam Chisholm, Hugh. Encyclopædia Britannica. 2 (edisi ke-11). Cambridge University Press. hlm. 160–161.
Pliny the Elder, Historia Naturalis xxxv, 91 ff.
Woltmann and Woermann, History of Painting, volume i (English translation, New York, 1886)
Houssaye, Histoire d'Apelles (Paris, 1867)
Wustmann, Apelles' Leben und Werke (Leipzig, 1870)
Ernst H. Gombrich, 'The Heritage of Apelles', The Heritage of Apelles: Studies in the Art of Renaissance, (Cornell University Press: Ithaca, New York, 1976), pp 3–18.
John J. Popovic, "Apelles, the greatest painter of Antiquity" Source quotes from Pliny's Natural History.
(rodcorp) "Giotto's circle, Apelles' lines, Chuang-tzu's crab": Tracing a literary topos.
This article incorporates text from a publication now in the public domain: "^{article name needed}". New International Encyclopedia. 1905.

Pranala luar sunting

[1] Bostock, John. "Natural History". Perseus. Tufts University. Diakses tanggal 23 March 2017. "But it was Apelles of Cos, in the hundred and twelfth Olympiad, who surpassed all the other painters who either preceded or succeeded him. Single-handed, he contributed more to painting than all the others together, and even went so far as to publish some treatises on the principles of the art."

[1]